And then, just as Bob Dylan came onto the stage, Trixsee came pushing and shoving from off to the side somewhere to plant herself directly in front of us. The happy energy of the crowd around us shifted as people protested Trixsee shoving her way into the space we had diligently homesteaded. The 20-something girl in braces in front of me, and her previously cheerful boyfriend both began to scream at Trixsee to get away from her squatted position in front of the stage.
- Fred Bals
Bad As Me is Tom Waits’ first studio album of all new music in seven years. This pivotal work refines the music that has come before and signals a new direction. Waits, in possibly the finest voice of his career, worked with a veteran team of gifted musicians and longtime co-writer/producer Kathleen Brennan.
- Fred Bals
Famous as a veritable den of iniquity, it was home at one time or another to the likes of Bob Dylan, Janis Joplin, Iggy Pop and Leonard Cohen.
- Fred Bals
Videotaped at Ukulele Expo '96 just two hours before he suffered a non-fatal heart attack in front of a standing-room-only audience of admiring fans, it was Tiny's wish that "Songs and Stories of the Crooners" be produced expressly for the benefit and promotion of the Ukulele Hall of Fame Museum, a non-profit organization dedicated to the preservation of ukulele music and history.
- Fred Bals
My search for the long-lost location of the Blonde on Blonde album cover shoot (which I have still not found), led me to discover two other memorable Dylan album photo sites - that of Highway 61 Revisited and also that of Another Side of Bob Dylan - in places in New York City that I would never have thought of.
- Fred Bals
The voice on the little antique cylinder record is tinny, scratchy, barely audible through storms of static. But if you listen closely, you can just hear a young woman reciting a nursery rhyme: "Twinkle, twinkle, little star."
- Fred Bals
The chitlin’ circuit was more than just music — it nurtured comedians and was championed in the plays of August Wilson — but Preston Lauterbach’s focus is on “how the chitlin’ circuit for live music developed from the late 1930s and nurtured rock ’n’ roll from the early 1940s to the mid-1950s.”
- Fred Bals
Bob Dylan epitomized the hard-traveling folk troubadour, and he established this image largely on a vintage Gibson Nick Lucas model flat-top guitar.
- Fred Bals
This is the third night of this memorable Fillmore West run. An outstanding show from beginning to end, containing several song transitions unique to this show and a wonderful version of "Lovelight" with Janis Joplin sitting in. This is one of the all time classic Grateful Dead shows.
- Fred Bals
This is the third night of this memorable Fillmore West run. An outstanding show from beginning to end, containing several song transitions unique to this show and a wonderful version of "Lovelight" with Janis Joplin sitting in. This is one of the all time classic Grateful Dead shows.
- Fred Bals
“I was invited to come to LA to hear that record when it was done. I sat there in this little room and I was stunned. I could not imagine anything more bleak and bitter and desolate. I thought there was no way it would be released. There was no hope, no chance - every song sounded like a suicide note. It was just so powerful. That was when I knew that Dylan was now doing work of a completely different kind, but as full and rich and unending as anything he had ever done. And so the story started all over again.”
- Fred Bals
Mimi and Richard Farina made some of the most exotic music within the ’60s folk scene. In 1965, the Putnam Ave. residents dropped by the studios of WTBS (now WMBR) with electric guitarist Barry Tashian (of Barry & the Remains) for music and talk.
- Fred Bals
Last year I wrote a story about the myriad bootstrap methods musicians have discovered or created to help them finance the recording process as so many of the music industry’s traditional avenues have turned into dead ends.
- Fred Bals
When President Lyndon Johnson stated that he was moved to tears by Bob Dylan's numbers, he conveyed the feelings of countless people across the world.
- Fred Bals
"I enjoy Chronicles as a work of literature, but it has a much basis in reality as [Dylan's 2003 film] Masked And Anonymous, and why shouldn't it? He's not the first guy to write a biography that's a pack of lies."
- Fred Bals
At one of Levon Helm's Midnight Rambles in his home/studio in Woodstock, singer Phoebe Snow displayed her ear-opening multioctave range on what seemed like an impromptu rendition of "Rockin' Pneumonia and the Boogie Woogie Flu."
- Fred Bals
Dylan's Australian tour promoter, Michael Chugg, was reportedly banned from standing side of stage for the show but Dylan was said to be ''so happy'' with Monday night's set, he hugged Chugg when he came offstage.
- Fred Bals
Phoebe Snow, a bluesy singer, guitarist and songwriter whose “Poetry Man” was a defining hit of the 1970s but who then largely dropped out of the spotlight to care for her disabled daughter, died Tuesday. She was 60.
- Fred Bals
"Because the direction of the solar wind has changed and its radial speed has dropped to zero, we have to change the orientation of Voyager 1 so the Low Energy Charged Particle instrument can act like a kind of weather vane to see which way the wind is now blowing," s
- Fred Bals
Ellen Barkin led me up the stairs so I could see her bedroom. She was chatty in the way you’d expect Ellen Barkin to be — sort of tough yet sort of warm, sort of open, sort of closed.
- Fred Bals
In 1967, through Sgt. Pepper's and The Basement Tapes, we see popular music going two distinct directions. The Beatles explored the unknown and Dylan and the Band kept it down home to see what they could turn up buried in their now-famed seclusion where they spent their time with American folklore and some moldy hymn books.
- Fred Bals
Dylan’s public persona has always mystified observers; he’s a matter of degree off for everyone—seemingly too smart or too dumb, too political or not political enough to suit people’s agendas.
- Fred Bals