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Lawgiverz

Lawgiverz

(▪_▪)(●̮̮̃●̃)۶٩(•̮̮̃•̃)۶٩(-̮̮̃-̃)۶٩(●̮̮̃•̃)۶٩(͡๏̯ ͡๏)۶٩(-̮̮̃•̃)۶٩(×̯×)۶(▪_▪)
creatio-ex-materia: I’ll be gone, animation by KORB - http://lawgiverz.tumblr.com/post...
creatio-ex-materia:
  
I’ll be gone, animation by KORB
Play
daily-tumbles: Following this blog will be the best thing you ever do - http://lawgiverz.tumblr.com/post...
daily-tumbles:
  
Following this blog will be the best thing you ever do
Lovely : ) - Lawgiverz
Ijahman Levi- Jah Heavy Load I’ve got to carry Jah heavy load Because I walk in his gladness On his merry merry road I’ve got to carry Jah heavy load I’ve got back up myself Against false evidence I’ve got to carry Jah heavy load I’ve got to pick up where them say Jah Jah left off and gone I have to carry Jah load heavy heavy load In my meditation... - http://lawgiverz.tumblr.com/post...
17-07: All that is solid melts into the air. by Kultnation - http://lawgiverz.tumblr.com/post...
17-07:
  
All that is solid melts into the air. by Kultnation
Play
creatio-ex-materia: RECURSION / Zhestkov - http://lawgiverz.tumblr.com/post...
creatio-ex-materia:
  
RECURSION / Zhestkov
Play
King Shiloh - Studio Selection (by tcfyah) - http://lawgiverz.tumblr.com/post...
King Shiloh Sound System feat. Earl 16 - Can’t Conquer (by aatski) - http://lawgiverz.tumblr.com/post...
what happened to lawgiverz? - http://lawgiverz.tumblr.com/post...
creatio-ex-materia: Bunuel and King Solomon’s Table (2001) - http://lawgiverz.tumblr.com/post...
creatio-ex-materia:
  
Bunuel and King Solomon’s Table (2001)
Nada - Gece Düştü (Official Video Clip) (by Nadamuzik) - http://lawgiverz.tumblr.com/post...
Hayko Cepkin - Gelin Olmuş (2010) (by Staprox) Foto: Kerim Belet - http://lawgiverz.tumblr.com/post...
fer1972: Franz Kafka by jf-stahl - http://lawgiverz.tumblr.com/post...
fer1972:
  
Franz Kafka by jf-stahl
#fmhs 2headedsnake: hellokirsten.com Kirsten McCrea - http://lawgiverz.tumblr.com/post...
#fmhs
 
2headedsnake:
  
hellokirsten.com
 
 Kirsten McCrea
ratak-monodosico: Samuel Beckett graffiti by artist Alex Martinez. Notting Hill, England. (via server pics) The tears of the world are a constant quantity. For each one who begins to weep, somewhere else another stops. The same is true of the laugh. (He laughs.) Let us not then speak ill of our generation, it is not any unhappier than its... - http://lawgiverz.tumblr.com/post...
ratak-monodosico:
  
Samuel Beckett graffiti by artist Alex Martinez. Notting Hill, England. (via server pics)
  
The tears of the world are a constant quantity. For each one who begins to weep, somewhere else another stops. The same is true of the laugh. (He laughs.) Let us not then speak ill of our generation, it is not any unhappier than its predecessors. (Pause.) Let us not speak well of it either. (Pause.) Let us not speak of it at all.
ah, this other… nevver: NewsToday - http://lawgiverz.tumblr.com/post...
ah, this other…
 
nevver:
  
NewsToday
Fantezi Makinesinde Hakikat Sızıntısı – E-Kitap - http://cengizerdem.wordpress.com/2012...
Fantezi Makinesinde Hakikat Sızıntısı - Cengiz Erdem : E-Kitap - http://www.idefix.com/ekitap...
Fantezi Makinesinde Hakikat Sızıntısı - E-Kitap | - http://www.idefix.com/ekitap...
FMHS en nihayet e-Kitap olarak da yayında... #fmhs #ekitap #ebook - Lawgiverz
The Bare Life of the Turin Horse From Nietzsche’s silence to the bare life of the body: Bela Tarr’s final opus is a film of devastating nakedness. — By Jose-Luis Moctezuma | November 3, 2011 The pre-cinematic origin of Bela Tarr’s The Turin Horse (2011) holds residence at an unlikely (and resistant) site of historiography: the mental breakdown of... - http://lawgiverz.tumblr.com/post...
The Bare Life of the Turin Horse 
 
From Nietzsche’s silence to the bare life of the body: Bela Tarr’s final opus is a film of devastating nakedness.
 — By Jose-Luis Moctezuma | November 3, 2011 
 
 
 
The pre-cinematic origin of Bela Tarr’s The Turin Horse (2011) holds residence at an unlikely (and resistant) site of historiography: the mental breakdown of Friedrich Nietzsche. Whether the facts of Nietzsche’s breakdown in Turin are as true as one anecdotal legend claims, the narrative details are compelling enough to stand forth as fiction: “In Turin, on January 3rd, 1889, Friedrich Nietzsche steps out of the door of number six, Via Carlo Alberto, perhaps to take a stroll, perhaps to go by the post office to collect his mail.” The mundaneness of the incidentals, in which Nietzsche assumes the role of an ordinary man who ponders two equally banal choices (to take a leisure walk, or to pick up the mail? or why not both?), augments the pull of the inevitable catastrophe. “Not far from him, or indeed very far removed from him, a cabman is having trouble with his stubborn horse.” The cabman begins to whip the horse viciously because it refuses to budge and convey its load, and Nietzsche, overwhelmed by the sudden violence and pathos of the event, rushes to the horse’s aid, throws himself on its neck, and prevents the cabman from flogging it any further. Nietzsche, perhaps feeling underneath his arms and face the rippling skin and pulsing heart of the animal, breaks down in convulsive tears and, as a crowd collects around him, submerging him further beneath the heat of an encounter which has escalated beyond the point of comprehension, he collapses unconscious. The rest, as they say, is history: carried back to his apartment, the philosopher wakes up, but he can no longer function as he had; that is, he can no longer make autonomous decisions about taking either leisure strolls or visits to the post office, or anything else for that matter. He lives out the rest of his years in a state of profound philosophical silence, “only broken on occasion by a lengthy and unpunctuated scream.”
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