"During the panel on ‘Copyright and Remix’, digital pirates entered the scholarly debate. IPR remains an ever-important topic for audiovisual libraries. May we even say: the begin-all and end-all of access undertakings. EUscreen has therefore set up a workshop and several documents and reference libraries related to these issues. During the panel, Anne Kustritz (University of Amsterdam) pointed out the bittersweet irony of large film companies creating movie franchises about thieving pirates who sue fan boys and -girls that craft remixed fan fiction about those very same thieving pirates. Katherine Groo (University of Aberdeen) brought up remix as an addition to the academic toolkit: media scholars are very much focused on words and discourse, but in examples such as this particular remix of filmmaker D.W. Griffith’s work, elements of continuity editing are explored in ways that words cannot. Her article on the topic of remix can be found in the first issue of the new journal FRAMES." - Miguel Caetano from Bookmarklet